The climax of The Witch is a lot like that of The Crucible, in which rampant paranoia fatally tears apart a New England colonial community. But in this case, there unequivocally is an actual witch. And it is perhaps even more tragic because the community is just a single nuclear family. With parent turning against child, and sibling targeting sibling, the witch almost feels superfluous. The extent of her powers suggests that she could wipe out the whole family in one fell swoop if she wanted to. However, there is also a hint that she must take advantage of familial betrayal to get herself into fighting shape. But perhaps the witch, like the audience watching her, loves a good horror film, and the 17th century equivalent of that is a tree-side view of the gradual dissolution of foolhardy settlers. In that sense her taste is beautifully freaky, with plenty of unforgettable moments (creepy twins relentlessly chanting about their prize goat, a raven pecking at a bloody breast, a cow’s udder squirting blood) proving to be fun for everyone!
Jeff Malone is a voracious entertainment consumer and entertainment creator. He currently resides in New York City, where he received his Master’s in Media Studies at The New School. In addition to his pieces on TMRzoo.com and StarPulse.com, you can check out his blog (jmunney.wordpress.com), where he provides regular coverage of Community and Saturday Night Live, as well as other television, film, music, and the rest of pop culture.
